Forgot password

There is no trace of a new director's typically excessive passion or over-reaching in the film Don’t Cry Mommy. KIM Yong-han concentrated on telling ‘what he had to tell’ in his debut film.

 

The ‘KIM Bu-nam Case’ happened in 1991. The culprit KIM, who was 30 years old at that time, murdered a man in his 50s. It was found out later that it was in fact a act of revenge taken by a woman 21 years following she her rape at the age of 9. The truth was massively shocking. I still clearly remember what she said. “I murdered a beast, not a man.” It was too intense for me to forget. That made me decide to make a film about sexual assault when I become a director.

 

No, there wasn’t. Though I did watch a documentary about the family of a victim when I was collecting data related to sexual assault cases. In the film was an interview with a woman whose daughter had been sexually assaulted. What really shocked me was that she suggested to her daughter that she hide the truth even though the mother knew the victim was raped by her cousin. The girl committed suicide in the end. The mom realized how much pain her daughter had to go through only when she read her daughter’s diary following her death. Then it occurred to me that victims deal with the pain all by themselves without letting detectives, prosecutors and even their family know about it. So I started with a story seen from the victim’s point of view.

 

It’s a film about a sexual assault, I thought it was important to meet actual perpetrators and victims. While gathering information, I confirmed how indifferently sexual assaults are treated at school. I also looked into many judicial precedents and learned that young perpetrators usually receive verdicts of not guilty. In other words, victims are not protected while perpetrators have no sense of guilt. The reality is so cruel.

 

Punishment for sexual assault between students are often very weak or sometimes the perpetrator is even found not guilty. I thought this is what causes a dilemma. Because the law forgives the culprits it doesn’t mean that the victims forgive them as well. Instead of making a simple revenge story, I wanted to show how painful it is for the victim through her mother’s point of view. Because a mother is someone who knows the preciousness of life very well, so I thought it would also be hard for her to punish the perpetrator in an extreme way. I figured that it would make a good film as long as the emotions and drama were solid enough.

 

You're right. I saw Yu-rim’s developing psychology and emotions until she makes up her mind to avenge her daughter as the core drama of the film. So I took a lot of static shots of Yu-rim. Capturing her sitting still in the camera was strong enough to form the drama. Early in the film there is a scene where Yu-rim is diagnosed with a uterine cancer. The actor who plays the doctor in front of her kept on making mistakes and I asked him why. He answered, “When I looked inot her eyes, I couldn’t speak my lines.” It clearly shows that YU Sun is overwhelming when immersed in her emotions.

 

I don’t remember giving a single direction for her acting during the entire shooting. New directors are usually so passionate that they prepare a lot of continuity. I believe it explains a lot when I say that I threw awat my continuities during filming. At least 95% of the scenes that YU Sun performed in were first takes. She truly depends on her instinct when acting.

 

I gave her explicit directions. When she and the actors performing the perpetrators were sitting next to each other to shoot the scene at the court, I asked her a rough question saying, “Imagine they got inside your body. what would it feel like?” The shooting had to be paused for a short while because she ran away as soon as she heard it. She came back later saying, “I felt as if I had really been a victim.” She experienced the panic.

 

I think there are different types of artists. In my personal opinion, a director needs the attitude to speak out about problems that society currently faces. It doesn’t necessarily mean he has to make political films. We can always zoom in on social issues through a film with a director’s perspective.

 

Near the end, YU Sun says, “What would you have done if you had been in my situation?” It was also the provocative question that I wanted to ask the audience. No to mention the need to tighten punishments for underage sexual criminals, the protection system for victims and their family is also far too weak. They are not properly protected after their ordeals, and this causes avicious circle. I hope this film can ring the alarm at least to the smallest extent.