Directors Who Return After a Long Hiatus
Fabricated City was directed by
PARK Kwang-hyun for the first time in 12 years. No one knows it would take such a long time to meet his second movie, because he made his directorial debut with
Welcome To Dongmakgol (2005) which topped the box office that year drawing eight million viewers.
As a successful director like him returned in 12 years, it is harder to make a comeback for directors who failed at the box office.
The Uninvited (2003)’s director
LEE Soo-yeon plans to release
Bluebeard this year in 14 years. She actually made a medium-length movie and joined omnibus project, but
Bluebeard is her second feature that many people have been longing for. Her debut film
The Uninvited was well received by critics for its keen insight and distinctive atmosphere, although it couldn’t appeal much to audiences who expected a traditional horror movie.
The Truth Beneath (2016)’s director
LEE Kyoung-mi is a similar case. She debuted with
Crush And Blush in 2008, and her second feature released last year in eight years.
Crush And Blush also received recognition from minority of spectators and critics, so we had to wait a long time to meet a new female character in Korean film history again. In addition, director
E.oni came back with a new style of woman film
MISSING (2016) in nine years after
Love Exposure (2007).
Moreover,
LUCK-KEY (2016) was directed by
LEE Gae-byok in 11 years after his debut film,
The Beast and the Beauty (2005). Congratulations on his success. It’s been so long since the adorable and pleasant romantic comedy,
The Beast and the Beauty. Good luck and bright future ahead for others who meet audiences again after a long wait!