- ABOUT KOFIC
- KOFIC SUPPORTS
KOFIC SUPPORTS
COCOA VISION
코코아비전
The major business is realizing VFX(visual effect) based on differentiated CG technology, and production of video contents.
We retain the highest level staff in the different divisions that produced many high-end CG images focusing on movies, TV series, and advertisements.
We are equipped with the optimized systems for carrying out big projects that VFX is of great importance by having higher value-added CG technologies including digital actor, crowd simulation and developing our own solutions of 3D fields like creatures & FX
We retain the highest level staff in the different divisions that produced many high-end CG images focusing on movies, TV series, and advertisements.
We are equipped with the optimized systems for carrying out big projects that VFX is of great importance by having higher value-added CG technologies including digital actor, crowd simulation and developing our own solutions of 3D fields like creatures & FX
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MOFAC
모팩
Since 1994, MOFAC Inc. has been a leading VFX company in the Korean film industry for 27 years, working on more than 200 films.
Our goal is to become the best major production studio in Asia producing global contents in films, TV series and animations based on VFX.
Our goal is to become the best major production studio in Asia producing global contents in films, TV series and animations based on VFX.
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Roaring Currents(2014 | VFX), Monstrum(2018 | VFX), Detective Dee: The Four Heavenly Kings(2018 | VFX),
Battle of Jangsari(2019 | VFX), Golden Panda(~2021 | Full 3D Animation), The Life of Our Lord(~2021 | Full 3D Animation)
TWOSUN DIGITAL IDEA
투썬 디지털아이디어
DIGITAL IDEA is a leading visual effects studio and the largest of its kind in Korea, offering the only full line-up services with audio commercial new media and 3D animated feature film production facilities within Asia.
Since 1998, DIGITAL IDEA’s team of global professionals have supervised and actively applied visual effects for over 450 feature films both domestically and internationally. Beginning with the collaboration between filmmakers in the pre-production process, DIGITAL IDEA’s on-set supervisors ensure consistent production and high quality by leading each project throughout the post-production process overall as well.
The company in-house pipeline tool facilitates efficient scheduling and creation of effective shots for on-time delivery according to the deadlines of all projects managed by DIGITAL IDEA.
Since 1998, DIGITAL IDEA’s team of global professionals have supervised and actively applied visual effects for over 450 feature films both domestically and internationally. Beginning with the collaboration between filmmakers in the pre-production process, DIGITAL IDEA’s on-set supervisors ensure consistent production and high quality by leading each project throughout the post-production process overall as well.
The company in-house pipeline tool facilitates efficient scheduling and creation of effective shots for on-time delivery according to the deadlines of all projects managed by DIGITAL IDEA.
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PENINSULA(2020 | VFX), #ALIVE(2020 | VFX), It's Okay to Not Be Okay(2020 | VFX),
Ashfall(2019 | VFX), EXIT(2019 | VFX), Hotel Deluna(2019 | VFX),
Shanghai Fortress(2019 | VFX), The Great Battle(2018 | VFX), Operation Red Sea(2018 | VFX),
Monkeyking 3(2018 | VFX)
WYSIWYG STUDIOS
㈜위지윅스튜디오
WYSIWYG STUDIOS is founded in 2016 by South Korea’s 1st generation of CGI and VFX pioneer, Kwan-Woo Park and In-Gyu Park. With the exclusive know-how of the VFX industry, WYSIWYG has completed listing in the KOSDAQ market(299900) in 2018. WYSIWYG utilizes VFX into various industries with a background of the high demands for VFX based content such as the content of OTTs, AR/VR content of 5G service, the media content of the exhibition, et Cetra. The competitive edge of WYSIWYG is its real-time rendering system that provides a cost-saving effect by shortening the production time.
Along with the VFX professionals with 20+ years of experience, utilizing the know-how that gained via working with Hollywood, and by the various strategic investments within the media entertainment industry, WYSIWYG aims to lead the hegemony in the Content industry.
Along with the VFX professionals with 20+ years of experience, utilizing the know-how that gained via working with Hollywood, and by the various strategic investments within the media entertainment industry, WYSIWYG aims to lead the hegemony in the Content industry.
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Along with the Gods: The Last 49 Days(2017 | VFX), The Witch : Part 1. The Subversion, 2018(2018 | VFX),
THE GREAT BATTLE(2018 | VFX), Swing Kids(2018 | VFX), Skyfire(2019 | VFX)