Hanna learned to crochet as a bridal class from her grandmother Chunza. 15 years passed, and Hanna had grown from a child to an adult. To Hanna, crocheting is a meditation to relieve her confusing emotions. But to others, crocheting is nothing important but a girl’s hobby.

Hanna has gone through the confusing experiences of being a woman. The experience of getting a kiss from a boy at a kindergarten birthday party. Wanting to be a man by cutting her hair. Asking...more

Hanna learned to crochet as a bridal class from her grandmother Chunza. 15 years passed, and Hanna had grown from a child to an adult. To Hanna, crocheting is a meditation to relieve her confusing emotions. But to others, crocheting is nothing important but a girl’s hobby.

Hanna has gone through the confusing experiences of being a woman. The experience of getting a kiss from a boy at a kindergarten birthday party. Wanting to be a man by cutting her hair. Asking to date her friend, a girl, for the first time at 17.

Hanna decides to reflect her past emotions by crocheting 'Mandala Madness,' the finest final round of crochet. Hanna dreams of the most significant rebellion with the considered most trivial and feminine thing.

Hanna hangs the completed Mandala and becomes a drag queen and king in front of it. Hanna thinks about the meaning of crocheting that Chunza taught her and sings and dances. The song ends like this. "Chunza can be anyone."less